TATTARЯATTAT!

3+
-
frieda
-
45 min.
TATTARЯATTAT! is a moving expressive work that categorizes, classifies, organizes, but also dances, sings and dreams. A festive discovery of difference and resemblance that can be lived and interpreted by both parent and child.

look! there's a machine!
big!
black!
solid!

and look over there! something is tumbling down!
small!
white!
wobbly!

listen!
there's babbling!
blabbering!
jabbering!

things meet!
collide!
a clash?
a rendez-vous?

just look at that!
 

In TATTARЯATTAT! (*) species and individuals stand on, under, between, next, above, before, behind or opposite each other.  A plank  meets a beam. a woman smashes into herself. Large watches small. Abstract chats with itself, or argues with concrete. What’s the sound of blue? What does flat do? How much is firm?

(*) Tattarrattat is the longest palindromic word in the oxford English dictionary. James Joyce used it in Ulysses (1922) for a knock on the door: 'I was just beginning to yawn with nerves thinking he was trying to make a fool of me when i knew his tattarrattat at the door.'

 

Concept: Eva Binon, Tina Heylen, Patrick Vervueren.  Play: Eva Binon, Ephraïm Cielen, Tina heylen, Patrick Vervueren  Music: Ephraïm Cielen  Light Design: Lucas Van Haesbroeck.  Technique: Anton Leyzen, Klaartje Vermeulen  Workplace: Anton Leyzen, Marjan Verachtert. Production: frieda.  Coproduction: Theater FroeFroe


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